A temple to the lyrical arts and a monument to architecture, the Opera Garnier was intended to be "a synthesis of all the arts", and here we discover it in its smallest details (…)
This book celebrates Marc Chagall’s one-of-a-kind masterpiece, completed in 1964 for the Paris Opera. It recounts the story of the commission, awarded to the artist by the then Minister of Culture, André Malraux (…)
Writing a book on Jean-Philippe Rameau (1683-1764), for a harpsichordist and conductor like Christophe Rousset, is not just an opportunity to pay tribute to a great composer, it is also a chance to share the viewpoint of a practitioner who is familiar (...)
The art of music is, without question, the sole art of all the arts which brings out the strangest of passions, the most preposterous ambitions, and I would even say, the most blatant monomanias. Among the patients sequestered in asylums, those who believe they are Neptune or Jupiter are easily recognised as being monomaniac (...)
A patient called Wagner is the first complete medical chronicle of the life of the composer, based on a large number of sources never before published in French. Far from being a medical report with all the inevitable jargon, the book offers a story of the artist’s life as seen through the prism of his ailments (...)
Lorenzo Da Ponte is famous for having written the texts of Mozart’s three masterpieces: The Marriage of Figaro, Don Juan, and Cosi fan tutte. When Da Ponte—a Catholic priest—arrived in Vienna after being obliged to leave Venice for indulging in some inappropriate liaisons with women, there seemed to be nothing that would make the 32-year-old mark Mozart...